A minimalist study in contrast—layered dark ridges dissolve into delicate vertical drips, evoking both landscape and abstraction.

1912-1

In 1912-1, Ko Ushijima distills the landscape to its most essential forms—undulating peaks rendered in soft washes of ink, their edges bleeding gently into negative space. Vertical drips fall like rain or memory, grounding the composition in quiet rhythm. Meditative and elemental, the work speaks to impermanence, balance, and the subtle power of restraint.
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